A brave decision – designing the way, not the thing

Case study: Guinness

With the rediscovered storehouse as their inspiration, the Imagination designers began to think about doing more than just creating a replacement visitor centre.

They envisaged an integrated community and business space that would reflect the needs of visitors, Dubliners and Guinness employees. The plan was radical: close the Hopstore, redevelop the storehouse and create an entirely new concept in branded attractions.

Visitors sitting in the Gravity Bar at the Guinness Storehouse, with views over Dublin‘This was about cultural citizenship, not corporate cathedrals,’ says Ralph Ardill. ‘It wasn’t going to be a branded visitor centre that says, “This is our world - we tell you our story: you buy our product.” This was going to be the home of Guinness, a multi-dimensional, multi-use space for young consumers, Guinness employees, Diageo employees and Dubliners as well as for tourists.’

The plan represented a significant departure from what Guinness had originally envisaged, and this demanded some persuasion on the part of the Imagination team, and more than a little open mindedness from Guinness.

‘When we went into the meeting to present our ideas about what to do with the Hopstore and said, “We think you should close it,” people started getting a bit uncomfortable,’ recalls Ardill. ‘We knew they couldn’t sanction the sort of spend that such a large-scale project would demand, so all we asked was that they didn’t say no, so it could go to the next level.’

Nine months of research followed, with more and more people becoming involved. Ardill thinks this was one of the secrets of the project’s success – it meant that more people developed a sense of ownership of the project, so that it almost gathered its own momentum. Or, as Philip Osbourne puts it, ‘People were extremely passionate about this project, they really felt it in their waters.’ Guinness, Ardill says, ‘was an incredibly brave client. The idea of putting a bar on the roof in the middle of the brewery, for example, at a time when Guinness was closing factories, needed an enormous amount of sensitivity.’

The history of Guinness was important to consider while designing the new visitor centre‘Happily there was commitment from the very top level of the board,’ says Clive Brownlee, Assistant Managing Director of Diageo Ireland during the project, ‘and that commitment remained rock solid. So while we had some challenges to it, we were able to defend it with the confidence and enthusiasm that was needed.’

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A multi-purpose building

Guinness Storehouse is a working building, home not only to the Visitor Experience, but also housing a number of other facilities for private and public use.

  • The Learning Centre - The Learning Centre is a dedicated area with training and conference facilities for holding meetings and training courses. It also houses the specially designed ‘Training Bar’ where bar staff are trained to pour the perfect pint.
  • Events - Guinness Storehouse offers a number of events venues with catering for 20 to 1000 people. The Storehouse is a flexible space that can adopt itself to receptions, private dining occasions, parties, product launches, fashion shows and lectures.
  • The Guinness Archive - The Guinness Archive, collects, preserves and makes accessible records and artefacts from the formation of Guinness to the present day. The holdings contain records dating from the 1759 lease, photographs, film, video, memorabilia, posters, maps, bottles and artefacts documenting the history of the Guinness company, brand and products in Ireland.